https://hiddenhistoriesut.org/files/original/fdfe3ac6f88106388321ba45da3934cd.jpeg 1055399a24baa1403769acb203fd2b08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hybridity: Revolution in Latinx Performing Arts Subject The topic of the resource Theater and society Theater and state Inca art Inca mythology Adultery (Inca law) Quechua language Incas--first contact with other peoples Latin Americans Two thousands (Decade) Radio Nineteen forties Description An account of the resource From the intersection of heritage and theatre, "Ollantay" fosters revolution in 1944 Chile, 1990 New York City, and 2004 California. It is linked to Magda Portal, Ollantay Center for the Arts, and Luis Avalos, respectively. Through three different times and locations, otherness results in powerful spaces and initiatives for marginalized communities. Creator An entity primarily responsible for making the resource Americas Theatre Arts Foundation Magda Portal Damián Dovarganes Source A related resource from which the described resource is derived Nettie Lee Benson Latin American Collection, University of Texas Libraries, The University of Texas at Austin Date A point or period of time associated with an event in the lifecycle of the resource October 2004 3 August 1944 Contributor An entity responsible for making contributions to the resource Leona Mariel Hernandez Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Language A language of the resource English Spanish Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ollantay, Cusi Coyllur, and Yma Sumac's Reunion Subject The topic of the resource Theater and society Theater and state Inca art Inca mythology Adultery (Inca law) Quechua language Incas--first contact with other peoples Latin Americans Two thousands (Decade) Description An account of the resource In this photograph, Ollantay is reunited with his wife Cusi Coyllur and their daughter Yma Sumac. They were all separated from each other from the moment of her illegitimate birth. Creator An entity primarily responsible for making the resource Damián Dovarganes Source A related resource from which the described resource is derived Nettie Lee Benson Latin American Collection, University of Texas Libraries, The University of Texas at Austin Date A point or period of time associated with an event in the lifecycle of the resource October 2004 Type The nature or genre of the resource Photograph Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Contributor An entity responsible for making contributions to the resource Leona Mariel Hernandez