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We do not like kings:&#13;
We sicken at a whiff&#13;
Of special privilege,&#13;
Call none: "My Liege".&#13;
We bow badly -&#13;
The kneejoints [sic] of democracy are stiff.&#13;
But our minds are supple;&#13;
Like our great rivers flowing&#13;
Wide and free&#13;
We couple&#13;
Big with small&#13;
Poor with rich,&#13;
Knowing that the same earth shapes&#13;
Mountain and ditch.&#13;
&#13;
Our royalty&#13;
Is made, not born,&#13;
Made of the right&#13;
To grow&#13;
To learn&#13;
New law when old law is outworn,&#13;
To march abreast&#13;
To edges of horizons&#13;
Never met,&#13;
But real as hope&#13;
And love&#13;
And liberty are real&#13;
Under democracy's seal.</text>
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&#13;
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Great Britain, 20th Century&#13;
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                <text>"Le Prophète" by Kahlil Gibran, translated from English by Madeline Mason-Manheim</text>
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                <text>Owner/seller of this specific book: Marc Sena Carrel, Pacifica, CA, U.S.A.&#13;
&#13;
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                <text>A soft-cover edition of "Le Prophète" by Kahlil Gibran, translated from English by Madeline Mason-Manheim. Published in 1926 by Éditions du Sagittaire. 6.5 x 4.5 inches (15.5 x 11.5 centimeters)&#13;
&#13;
Seller's Description (per website):&#13;
"Écrit en français, pas en anglais. En broché. Text in French, not in English. Paperback. First edition, first printing of the French language edition. Originally published in English in 1923 by Knopf; the first publication in French was in 1926 by Éditions du Sagittaire. This is copy no. 401 from a total edition of 750; the first 25 numbered copies were printed on Japan paper and the remaining copies on vélin de Rives. Printed in 1926 at the presses of the Imprimerie Sainte-Catherine at Bruges, Belgium. Approx. size 6.5 x 4.5 inches. [15.5 x 11.5 cm.] A paperback with beige matte wrappers, with fairly crisp red- and black-stamped lettering and design to front wrapper, and with faded black lettering to the spine. Wrappers are uniformly age-toned to a light brown. In dark ink at the top of the front wrapper is written "Paris" and also with a few small scribbles. With 122 numbered pages. First FEP with "Paris 1926" neatly printed in dark blue ink at the top; else a clean interior. Frontispiece reproduces a fragment from the author's manuscript for the book. Page 1 with B&amp;W headpiece and page 122 with B&amp;W tailpiece. The colophon page with details regarding the book's printing. A Good to Good Minus copy. Scarce in any condition. 5 oz. Coll. Les cahiers nouveaux. Traduit par Madeline Mason-Manheim. Fragment autographe du manuscrit (fac-similé) de Kahlil Gibran en frontispice. E.O. ex. num. sur vélin de Rives.? Caractéristiques spéciales: Édition limitée, Édition originale, Numéroté. Reliure: Couverture souple, Relié. Langue: Français. Pays d'origine: France. Gibran Khalil Gibran est un écrivain, poète et artiste visuel libano-américain d'expression arabe et anglaise [1883-1931] Il était également considéré comme un philosophe, bien qu'il ait lui-même rejeté ce titre. L'ouvrage combine les sources orientales et occidentales du mysticisme. Il présente sous une forme poétique questions et réponses sur les thèmes fondamentaux de l'existence.</text>
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This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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In the translation of my books: "The Madman", "The Forerunner", and "The Prophet" Madeline Mason Manheim has reproduced the thought and the rhythm of the original with a perfection I had not believed it possible to attain. I feel for the first time that my works have been truly recreated, and here are the only translations that I personally authorize.&#13;
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LE PROPHETE.&#13;
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