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                <text>News article reporting on Tish Hinojosa becoming the flagship artist for A&amp;M Records' Americana Series, attempting to highlight regional talent. It speaks about her choice of A&amp;M Records over PolyGram Records, which had a much larger budget. A&amp;M offered her the creative originality she was looking for, with more support and freedom on her part than Polygram. </text>
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                <text>Fan mail to Tish Hinojosa from Catarina Casas</text>
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                <text>Short letter from middle schooler Caratina Caras thanking Tish Hinojosa for visiting her class. She writes about how Tish inspires Hispanics like her to embrace their family and heritage. </text>
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                <text>The physical resource is made available through the Benson Latin American Collection at the University of Texas</text>
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                <text>CBS Reports: Who Speaks for Birmingham </text>
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                <text>Civil rights-- United States &#13;
Discrimination &#13;
Racism &#13;
Birmingham&#13;
Activism &#13;
1960</text>
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                <text>"CBS Reports: Who Speaks for Birmingham.” The Paley Center for Media, 1961, https://www.paleycenter.org/cbs-reports-who-speaks-for-birmingham. Accessed 1 April, 2019. </text>
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                  <text>LGBTQ Visibility: Art and Literature from 1930-1955</text>
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                  <text>Images and correspondence pulled from the Charles Henri Ford and Parker Tyler Collections at the Harry Ransom Center. </text>
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                  <text>View magazine, published from 1940-1947, is a ‘little magazine’ edited and curated by Charles Henri Ford, Parker Tyler and Max Ernst, and can be found in its entirety in the Parker Tyler Collection at the Harry Ransom Center. View features submissions by contemporary giants such as Gertrude Stein, Salvador Dali, Georgia O'Keeffe, Marcel Duchamp...etc., but it also features a huge selection of queer artists who dominated the NYC scene such as George Platt Lynes, Lionel Abel, Parker Tyler...etc. Despite what many LGBTQ histories would have you believe, in the half century before the beginning of the Second World War, New York City was home to a thriving and highly visible gay community who dominated the avant-garde scene. While many narratives portray queer communities pre-Stonewall as closeted and divided, LGBTQ culture and politics has a deeply saturated history that defies that misconception. View magazine allows us first hand insight into the actual avant-garde scene of the 1940s, unfiltered by scholars and secondary literature influenced by the homophobia of the 80s and 90s. Furthermore, View proves the visibility and collectivity of the NYC gay scene, disbarring the notion that the LGBTQ community was scattered and afraid before the Stonewall riots. </text>
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                  <text>Zoe Roden</text>
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                <text> Item found in the Harry Ransom Center’s Parker Tyler collection in a folder titled “View, The”--Fantastica Americana is an issue of View magazine (1940-1947) published in New York in 1943. The magazine is published by artist/writer Charles Henri Ford and writer/film critic Parker Tyler. View magazine is a U.S. based eclectic and cosmopolitan magazine that features a wide-vary of women, people of color, and members of the LGBT community. Americana Fantastica was captained by Joseph Cornell, a gay man who worked closely with the magazine and corresponded regularly with the surrealists.</text>
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              <text>TEST YOUR R.I. A. Role- Independent Assessments&#13;
&#13;
Pick your most likely reaction, it you were in the given situation. Circle the phrase or action that sounds most like you.&#13;
*********************&#13;
You have been waiting 5 minutes at a busy airline counter to be attended to by the ticket agent. Your plane began boarding 5 minutes ago, and you are worried about finding comfortable seat with room to store your bulky carry-on. The woman behind the counter finishes waiting on a man who arrived the same time you did, and then turns to wait on a busy-looking man who has just walked up to the counter beside you.&#13;
&#13;
#1. Do you feel: A. Absolutely furious ("I'm gonna tell her off! And he's not much of a&#13;
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more important, and they would've treated me like they did him.")&#13;
&#13;
#2. What do you do?&#13;
A. Blow up. "I was here first!", and give them both an insulted look. B. Not say anything, but look at your watch, and move closer to the ticket&#13;
agent. c. Give the main a dirty look, and make certain the ticket agent hears&#13;
you exhale impatiently. D. Hand your ticket to the ticket agent while she is reaching for his&#13;
ticket, and say "I believe I'm next, ma'am."&#13;
******************&#13;
On your way to an important staff meeting with 9 of your colleagues, you are stopped by an assistant or yours who needs to know what to do about an important phone call your department has received. You stop to brief his on what should be done, and then open the door to the meeting, 5 minutes late. All are seated around &amp; table - one person is speaking &amp; the others are either making notes or listening.&#13;
&#13;
#3. What do you do? A. Apologize for your tardiness and explain what held you up and why it&#13;
was important. B. Tiptoe to the nearest empty chair, pull it out very quietly &amp; slip&#13;
into the chair. c. Walk to the nearest chair, sit down,&amp; nod quietly to your colleagues. D. Close the door again very quickly &amp; stay out, thinking up a very goog&#13;
reason for having missed the meeting entirely.</text>
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                <text>Published in the April 10th, 1990 edition of the Daily Texan, this excerpt reports on the Black Student Alliance's reaction to racist incidents caused by two fraternities -- especially their meeting with a UT administrator to push for penalizing these fraternities.</text>
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                <text>Christina Livingston Broom. Miss Christabel Pankhurst Speaking on Women's Suffrage in Hyde Park, 1909. Box 12 [964:04360265], in the Christina Broom Collection, 1906-1925, Harry Ransom Center, The University of  Texas at Austin.</text>
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