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                  <text>Spanish-language Theater and La Compania Villalongín in Texas</text>
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                  <text>Theater--Mexico--History--20th century&#13;
Traveling Theater&#13;
Professional Theater&#13;
Family Theater&#13;
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Mexico, North&#13;
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19th century&#13;
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                  <text>Pictures of troupe members and records from La Companía Dramática Hernández-Villalongín, also known as La Companía Cómico Dramática Carlos Villalongín (Carlos Villalongín Dramatic Company). &#13;
La Compañía Hernández-Villalongín was a traveling theatre troupe around the turn of 20th century. It was founded in 1848 by Encarnación Hernández. The company toured North Mexico and Texas over a period of 70 years (1848-1924). The company underwent multiple name changes when leadership changed, but Carlos Villalongín was a leading actor in the troupe for many years and the final company head.  The company was comprised primarily of two families-the Hernández and Villalongín families, but employed additional outside actors as well.  </text>
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                  <text>1848-1924</text>
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                  <text>Texas, San Antonio, Northern Mexico&#13;
19th century&#13;
20th century&#13;
1920s</text>
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                  <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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              <text>Playbill/Broadside</text>
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              <text>"GRAN FUNCION PARA HOY!&#13;
&#13;
DEBUT de la Compania con la hermosa produccion dramatica de los tiempos modernos, de gran exito en todos los teatros del mundo&#13;
&#13;
*TIERRA BAJA*&#13;
&#13;
NOCHE DE GALA! No hay mas alla!&#13;
&#13;
AL PUBLICO. Atendiendo a la delicadeza y buen gusto literario del distinguido auditorio que nos honra, llevamos hoy al paleo escenico la inimitable obra TIERRA BAJA, la que hablendo sido traducido a los principales idiomas del mundo, ha constituido siempre un gran acontecimiento. Nosotros estamos cerdaderamente seguros de que esta joyra dramatica sera del agrado del inteligente publico que nos favorezea, pues estimo de los mas legitimos triunfos de la literatura espanola, delicadamente estudiada y puesta en escena por esta corporacion, que no tiene mas afan que el de que el auditorio quede contento. &#13;
LA COMPANIA&#13;
&#13;
PROGRAMA &#13;
1. Obertura&#13;
2. Representacion del sublime drama divido en tres actos, escrito en catalan por el distinguido dramaturgo D. Angel Guimera, y traducido al espanol por el famosisimo dramaturgo D. Jose Echegaray, titulado:&#13;
TIERRA BAJA!&#13;
Reparto&#13;
MARTA... SRITA. CONCEPCION HERNANDEZ.&#13;
Nuri...Nina Dolores Magana.&#13;
Antonia...Srita. Herminia Villalongin.&#13;
MANELICK...SR. CARLOS VILLALONGIN.&#13;
Sebastian...Sr. Luis Hernandez.&#13;
El Ermitano...Sr. Antonio Saldivar.&#13;
Morucho...Sr. Levy C.&#13;
Nando...Sr. Villalongin M,&#13;
Jose...}&#13;
Mosen...} Sr. Alberto Orozco.&#13;
Peluca...Sr. Cabrera D.&#13;
&#13;
3. Por final la preciosa pieza en un acto, titulada:&#13;
L.N.B.&#13;
 &#13;
PRECIOS. ENTRADA GENERAL 30 CVS&#13;
&#13;
Muy pronto las grandes obras: Las dos Huerfanas, Los Pobres de Mexico, La Mujer Adultera, y la gran obra de D. Manuel Muzquiz Blanco, ALMAS RUSTICAS.</text>
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                <text>Playbill for Tierra Baja</text>
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                <text>A playbill advertising the Compania Comico Dramatica Carlos Villalongin performance of Tierra Baja. The cast is listed, highlighting the stars Concepcion Hernandez and Carlos Villalongin in the leading roles. The tickets cost 30 centavos each. The playbill also advertises upcoming shows. &#13;
The performance took place in Mexico before 1911, but the exact place and date is unknown.</text>
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                <text>Carlos Villalongin</text>
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Traveling Theater&#13;
19th century&#13;
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Spanish language materials&#13;
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                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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                <text>Northern Mexico, 20th century</text>
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                    <text>Photograph of Ernesto Villalongin</text>
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                    <text>A mounted photograph of Ernesto Villalongin, brother of Carlos Villalongin. The photo is mounted on a dark background with a thick border which has the name of the photographer and city in which this was taken. </text>
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                    <text>Desiderio LaGrange</text>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Back side of mounted photograph with note</text>
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                    <text>The back of this mounted photo was left blank. Ernesto Villalongin used this space to write a personal note to Encarnacion Hernandez. &#13;
&#13;
Transcription: &#13;
“Sr. Encarnacion Hernandez&#13;
Te aprecio: Esta frace tan&#13;
insignificante, para ti que e-&#13;
res mi amigo y me compren-&#13;
des, sera* un poema aunque&#13;
sencillo, elocuente para decir-&#13;
te la inmensidad del carino&#13;
que mi corazon siente para ti*.&#13;
10=1=1888. Ernesto&#13;
&#13;
</text>
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                <name>Creator</name>
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                    <text>Ernesto Villalongin</text>
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                  <text>Spanish-language Theater and La Compania Villalongín in Texas</text>
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                  <text>Theater--Mexico--History--20th century&#13;
Traveling Theater&#13;
Professional Theater&#13;
Family Theater&#13;
Actors--Family relationships&#13;
Mexico, North&#13;
Texas&#13;
19th century&#13;
20th century</text>
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                  <text>Pictures of troupe members and records from La Companía Dramática Hernández-Villalongín, also known as La Companía Cómico Dramática Carlos Villalongín (Carlos Villalongín Dramatic Company). &#13;
La Compañía Hernández-Villalongín was a traveling theatre troupe around the turn of 20th century. It was founded in 1848 by Encarnación Hernández. The company toured North Mexico and Texas over a period of 70 years (1848-1924). The company underwent multiple name changes when leadership changed, but Carlos Villalongín was a leading actor in the troupe for many years and the final company head.  The company was comprised primarily of two families-the Hernández and Villalongín families, but employed additional outside actors as well.  </text>
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                  <text>Texas, San Antonio, Northern Mexico&#13;
19th century&#13;
20th century&#13;
1920s</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="168">
                  <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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      <name>Still Image</name>
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                <text>Theater--Mexico--History--20th century&#13;
Traveling Theater&#13;
19th century&#13;
Actors (Extras)&#13;
Stage Actors&#13;
Male Actors&#13;
Actors-Family relationships&#13;
Young actors&#13;
Carte de visite photographs</text>
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                <text>A mounted photograph of Ernesto Villalongin, actor (extra) in Carlos Villalongin Dramatic Company and brother of Carlos Villalongin.  The back side contains a handwritten note from Ernesto to Encarnacion Hernandez.&#13;
&#13;
Transcription: &#13;
“Sr. Encarnacion Hernandez&#13;
Te aprecio: Esta frace tan&#13;
insignificante, para ti que e-&#13;
res mi amigo y me compren-&#13;
des, sera* un poema aunque&#13;
sencillo, elocuente para decir-&#13;
te la inmensidad del carin*o&#13;
que mi corazon siente para ti*.&#13;
10=1=1888. Ernesto&#13;
&#13;
Translation: (approximate)&#13;
	“Mr. Encarnacion Hernandez&#13;
I appreciate you: This insignificant phrase, for you who are my friend and understand me, will be a poem, although simple, but eloquent to tell you the immensity of care that my heart feels for you. &#13;
10-1-1888. Ernesto”&#13;
&#13;
</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>10-1-1888</text>
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                <text>Desiderio LaGrange</text>
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                <text>Ernesto Villalongin</text>
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            <name>Language</name>
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                <text>Monterey, Mexico</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2110">
                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Carte de Visite</text>
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Black Panther Party&#13;
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                  <text>Alli Aweusi was a former Black Panther member who settled in Austin, TX in the 1981. This tape is a recording of a panel discussion held on the Huston-Tillotson University campus about Afrocentricity. There are four panelists and a moderator. Alli Aweusi is the first to speak and questions established scientific facts published by the white intellectual community.</text>
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&#13;
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Racism&#13;
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Police brutality&#13;
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Discrimination&#13;
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&#13;
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                  <text>“Dallas Youth Council Scrapbook, 1957-1958”, Box D22a, Volume 2.325, Juanita Jewel Shanks Craft Collection, 1939-1972. Dolph Briscoe Center for American History, University of Texas at Austin. &#13;
&#13;
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                  <text>The Dallas NAACP Youth Council constructed a scrapbook consisting of newspaper clippings and important correspondence. The contents of the scrapbook highlight different initiatives the NAACP Youth Council took to fight for equal rights. In this collection specifically, the youth council documents an effort to raise awareness regarding an incident of police brutality against a student named Essein Essein. In the scrapbook, they included press coverage of the incident, as well as responses from organizations they hoped to engage in protest against the incident itself, such as the Southern Regional Council and the Highland Park Methodist Church. </text>
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                <text>The Dallas Youth Council included a newspaper clipping discussing an incident regarding police brutality and discrimination inflicted on "Essien Essien," a student from Africa.&#13;
&#13;
Next to the clipping, a member wrote the following: "The NAACP Youth Council made a thorough investigation of this case and proceeded to send letters and newspaper clippings to outstanding  musicians and organizations. Many did not reply. Letters were sent to President Eisenhower and Bobby Graham."</text>
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                <text>“Dallas Youth Council Scrapbook, 1957-1958”, Box D22a, Volume 2.325, Juanita Jewel Shanks Craft Collection, 1939-1972. Dolph Briscoe Center for American History, University of Texas at Austin</text>
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                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
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                  <text>Correspondence describing the legality of contraceptives in America between the 1930s-1940s, with a specific focus on the American Birth Control League.</text>
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Birth Control--Government Policy&#13;
Birth Control--Political Aspects&#13;
Birth Control--U.S. States&#13;
Birth Control--Population Control &#13;
Contraceptives--Marketing&#13;
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              <text>File Am. Birth Control League&#13;
LEGAL STATEMENT	&#13;
&#13;
From a survey of the law as construed and administered today, it is evident that physicians may legally give contraceptives advice and treatment whenever they deem it medically indicted. &#13;
&#13;
As construed in recent decisions, the federal law do not prohibit the mailing of contraceptive supplies and information to physicians, or to other persons upon a physician’s direction, for medical use, [wherever such use is not forbidden by the state law.] The laws of 40 states do not interfere with the use of contraceptives in medical practice. And according to legal opinion, the restrictions which the other 8 states impose in their laws upon the distribution of contraceptive supplies and information do not apply to medical use by physicians. Administrators of the law evidently concur in this opinion, for they permit physicians to give contraceptives advice and treatment in office and clinic. &#13;
	&#13;
(Version as dictated by Mr. McWilliams over telephone at 3:30 on May 7th and revised at 3:55. Final)&#13;
&#13;
May 13/1936&#13;
Mr. Ernst, &#13;
	I telephoned to your secretary about the above today, and would like to speak to you hopefully tomorrow morning about it&#13;
	Yours _____&#13;
	W___ J McWilliams</text>
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                <text>Mr. McWilliam </text>
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Birth Control--Government Policy&#13;
Birth Control--U.S. States&#13;
Contraceptives--Marketing &#13;
Obscenity (Laws)--U.S. States</text>
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                <text>Legal statement outlining the legality of selling or mailing contraceptives in America by anyone other than a physician. Mr. McWilliams confirmed that it was illegal to do so if one is not a physician by state law, but federal law allows giving information about contraceptives to physicians. He also gives his legal opinion on the law and its future. </text>
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1936-05-13 </text>
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                <text>Container 198.8, Item Title: Series II, Legal Cases and Causes, General Correspondence 1937-1938, American Birth Control League. Collection: Morris Leopold Ernst Papers, Harry Ransom Center, University of Texas at Austin.</text>
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  I will address the topic of economics as it relates to Latinas in the U.S. from a cultural perspective. Please feel free to call me at work. &#13;
(215) 299-7182. Later in the evenings(after 8PM) I can be reached at (215) 425-0782. You can always leave voice mail messages at my work number at any time. &#13;
&#13;
I look  forward to  meeting with you all soon&#13;
&#13;
Thanks,&#13;
&#13;
Maria&#13;
&#13;
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Thank you very much for agreeing to to participate in the Panel at the National NOW Conference. This workshop will take place on Saturday, July 12th from 2:00 pm to 3:15 pm. The Conference is being held at the Doubletree Ctrystal Hotel in Arlington, VA. Please access http://www.now.org/organization/2003/index.html for details.&#13;
&#13;
I will be moderating the panel. My idea was to create a forum for attendees to discuss how we can join forces with Latinas to  address the issues affecting them in the United States. Sylvia, for example, could discuss Latina's reproductive health issues, attitudes towards abortion, access to reproductive health services, etc. Maria could address economic issues affecting Puerto Rican women in the United States and Laura could address issues affecting latina lesbians. The action component  of the panel is to give NOW activists a roadmap as to how they can work in their local communities with Latina groups/organizations in furthering a common agenda. &#13;
&#13;
The workshop is 1-1/2 hours. We can limit the presentations to 15-20 minutes each and then have time for discussion/questions.  How does this sound? &#13;
&#13;
It would be good if you three discuss how you want to approach this. I'll leave it up to you to exchange phone numbers/addresses, etc. The e-mail addresses are as follows: Sylvia Henriques- Latina Institute for Reproductive Health - nlirh@latinainstitute.org&#13;
Maria Mills-Torres - National Conference of Puerto Rican Women - mmillsto@phila.k12.pa.us&#13;
Laura Esquivel - LLEGO (The National Latina/o LGBT Organization) - lesquivel@llego.org&#13;
&#13;
Looking forwards to an exciting workshop!&#13;
Gracias, &#13;
&#13;
Olga Vives</text>
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