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                  <text>Grace Mirabella and the Launch of Mirabella Magazine</text>
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                  <text>Grace Mirabella; Fashion Journalism -- United States; Women's Periodicals -- United States; Women in Journalism; Mirabella (periodical)</text>
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              <description>An account of the resource</description>
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                  <text>A collection of five archival items documenting the launch of Mirabella magazine, by Grace Mirabella, and the netional press coverage surrounding her return to publishing following her dismissal from Vogue in 1988. Items include feature and news articles from the Wall Street Journal, Rocky Mountain News, Asbury Park Press (via the Chicago Tribune), and American Way magazine, as well as the first issue of the UK edition of Mirabella. Together, these items trace how Grace Mirabella rebuilt her platform on her own terms and model how women can transform the spaces that tried to silence them.</text>
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                  <text>Greco, Stephen; Behbehani, Mandy; Anderson, Lisa; Kaufman, Joanne; Mirabella, Grace</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Grace Mirabella Cahan Papers, Dolph Briscoe Center for American History, University of Texas at Austin</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1950-2000</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Noa Miller </text>
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              <name>Format</name>
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                  <text>Collection of newspaper clippings, magazine articles, and periodical cover; print on newspaper and glossy paper; 1989-1990</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>United States; United Kingdom; 1989-1990</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These resources are made available for research through the Dolph Briscoe Center for American History at The University of Texas.</text>
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              <text>Feature article profiling Grace Mirabella during the launch of Mirabella magazine, published in American Airlines' in-flight magazine.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Magazine article; print on glossy paper; pages 76-80, continued page 108</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Amazing Grace" American Way (American Airlines/American Eagle), 1989-06-15</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>News and media; Fashion; Journalism; Publishing; Women authors - 20th Century; 1990s; Communication; Feminism; Gender; Advertisement; Grace Mirabella; Fashion journalism -- United States; Women's perodicals -- United States; Women in journalism; Mirabella (Periodical) </text>
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            <description>An account of the resource</description>
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                <text>Article profiling Grace Mirabella's post Vogue career and the launch of her new magazine, Mirabella. Includes discussion of her editorial leadership and innovation in magazine publishing. Greco covers Mirabella's appearance at an American Society of Magazine Editors luncheon at the Harvard club in Manhattan where she stated, "I don't want to sound heavy, and I'm not running for office. But we take women seriously." The article details Mirabella's vision for a magazine that serves sophisticated women readers, her increased creative control in comparison to Vogue, and the competitive magazine landscape she was entering. This was published in an American Airlines in-flight magazine distributed to a wide national readership monthly; the article reach reflects the national significance of Mirabella's story at the time of the launch. It appears on pages 76-80 and is continued on page 108 of the publication.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Greco, Stephen</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Grace Mirabella Cahan Papers, 1948–2000, Box 4Ad74, Dolph Briscoe Center for American History, The University of Texas at Austin</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="7038">
                <text>AA Corporate Communications, American Airlines/American Eagle (DFW Airport, Texas) </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1989-06-15</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Barker, Kent (photographer); Lodge, George W. (publisher); Crichton, Doug (editor); Barker, Kent (photographer); Noa Miller</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7041">
                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.&#13;
&#13;
Conditions Governing Use&#13;
There are no use restrictions on this collection. The publisher is responsible for complying with copyright law.&#13;
&#13;
This resource is made available for research through the Dolph Briscoe Center for American History at The University of Texas. &#13;
&#13;
Copyright 1989 American Airlines/American Eagle. All rights reserved. Permission required for reproduction. </text>
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            <description>A related resource</description>
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                <text>Mirabella magazine, Vol. 1 (debut issue, June 1989)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Magazine article; print; pages 76-80, continued page 108; Vol. 22 No. 12</text>
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            <description>A language of the resource</description>
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                <text>en-US</text>
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            <description>The nature or genre of the resource</description>
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                <text>Text; magazine article</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>United States; June 15, 1989</text>
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        <name>1990s</name>
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      <tag tagId="357">
        <name>Advertisement</name>
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      <tag tagId="546">
        <name>Airlines -- In-flight publications</name>
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      <tag tagId="292">
        <name>Communication</name>
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      <tag tagId="99">
        <name>Fashion</name>
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      <tag tagId="540">
        <name>Fashion journalism -- United States</name>
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        <name>Feminism</name>
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        <name>Gender</name>
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        <name>Grace Mirabella</name>
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        <name>Journalism</name>
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      <tag tagId="541">
        <name>Mirabella (Periodical)</name>
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      <tag tagId="543">
        <name>Nineteen eighties</name>
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      <tag tagId="534">
        <name>Nineteen nineties</name>
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        <name>Women Authors</name>
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      <tag tagId="531">
        <name>Women in journalism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Poetry of Madeline Mason</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="7081">
                  <text>Poetry</text>
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                  <text>American Poetry--20th Century</text>
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                  <text>Women poets, American</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="7082">
                  <text>Mason, Madeline</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="7083">
                  <text>Madeline Mason papers, 1867-1992, Dolph Briscoe Center for American History, The University of Texas at Austin</text>
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              <description>An account of the resource</description>
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                  <text>A collection of items relating to the poet Madeline Mason, 1908-1990. Included are images of five of her published works, manuscripts, literary reviews, photographs, and miscellaneous materials relating to Mason's accomplishments as a poet, author, translator, critic, and lecturer.</text>
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                  <text>1920s-1970s</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Via, Madeleine</text>
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                  <text>Dolph Briscoe Center for American History, The University of Texas at Austin</text>
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                <elementText elementTextId="8845">
                  <text>Harry Ransom Center, The University of Texas at Austin</text>
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                  <text>Perry-Castañeda Library, University of Texas Libraries, The University of Texas at Austin</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8841">
                  <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Language</name>
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                  <text>English&#13;
French</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="8955">
                  <text>United States, 20th Century&#13;
1920s-1970s&#13;
Great Britain, 20th Century&#13;
France, 20th Century&#13;
1920s</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="7791">
              <text>Hardcover book</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7790">
                <text>"At the Ninth Hour" by Madeline Mason, published book</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Poetry</text>
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              <elementText elementTextId="8683">
                <text>American poetry--20th century</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="8685">
                <text>A hardcover first edition of "At the Ninth Hour" by Madeline Mason, previously owned by Daisy Aldan. Published in 1958 by The University Press of Washington, D.C.  Printed by Heritage Printers, Inc., in Charlotte, NC. 62 numbered pages. Dust jacket colors are tones of red; front has the book title, author, and a drawing of an oud with a number nine. Spine of dust jacket lists the book title and author. The back of the dust jacket shows an image of Madeline Mason and another drawing of an oud and provides Mason's name and reviews of her work. The front and back inner flaps of the dust jacket provide a short biography and a review of the book. The hard cover is covered in tan canvas and has a small oud imprinted in black in the bottom right corner of the front cover. The spine of the cover has the book title and author name imprinted in black in the same style as on the spine of the dust jacket. The back hard cover is blank. The front right endpaper has an inscription in pen addressed to Daisy Aldan, signed by Madeline Mason, dated October 12, 1964.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Mason, Madeline</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="8687">
                <text>Harry Ransom Center Book Collection, Harry Ransom Center, The University of Texas at Austin</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="8688">
                <text>The University Press of Washington, D.C.</text>
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              <elementText elementTextId="8690">
                <text>1958</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8691">
                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="8693">
                <text>English</text>
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                <text>Excerpt in University of Texas College of Fine Arts booklet explaining the objectives of the new college.</text>
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                <text>Political cartoon attacking Baldwin and his novel, "Giovanni's Room"</text>
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                <text>“Color Him Funny,” Display Ad 23 (No Title), Chicago Defender, March 16, 1964.</text>
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Race&#13;
LGTBQ&#13;
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Chicago Defender</text>
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                <text>This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue.</text>
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                  <text>The items included convey how the Oscar Martinez Orchestra exists as one of many undervalued, unrecognized cultural contributions from Mexican Americans in South Texas. Moreover, these resources highlight the deficiencies in the present-day understanding of Tejano influence in the state.&#13;
&#13;
Additionally, a subsection is dedicated to my great-grandfather Joe Morris, a former member of the Oscar Martinez Orchestra. </text>
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Justice Morris </text>
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Justice Morris</text>
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                  <text>Items in this collection are made available for research by the LLILAS Benson Latin American Studies and Collections&#13;
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Steven Antonio Guajardo [watermarks]</text>
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We do not like kings:&#13;
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