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Steven Antonio Guajardo [watermarks]</text>
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In the translation of my books: "The Madman", "The Forerunner", and "The Prophet" Madeline Mason Manheim has reproduced the thought and the rhythm of the original with a perfection I had not believed it possible to attain. I feel for the first time that my works have been truly recreated, and here are the only translations that I personally authorize.&#13;
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                <text>A hardcover edition of "Hill Fragments" by Madeline Mason-Manheim. Published in 1925 by New York Brentano's Publishers. Printed by Arthurs Press, Ltd., Woodchester, Glos., Great Britain. 59 numbered pages. Hard cover is navy in color. The front cover shows a gold image of a figure in nature in the style of Kahlil Gibran (it is unknown if Gibran designed the image). The spine lists the author, book title, and publishing company imprinted in gold and has a white sticker with the Dewey Decimal call number typed in black.</text>
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                  <text>P. W. Grayson, Vice Unmasked, an Essay: Being a Consideration of the Influence of Law Upon the Moral Essence of Man, with Other Reflections (New York: George H. Evans,  1830); Anthony Ganilh, Southern Liberty, A Satire and other Poems (New York: s.p., 1834);   Antonio [Anthony] Ganilh to José María Luis Mora, July 20, 1835, José María Luis Mora Papers, 1795-1856, Benson Latin American Collection, University of Texas at Austin, Austin, TX; Anthony Ganilh [pseud. A. T. Myrthe], Ambrosio de Letinez or the First Texian Novel, Embracing a Description of the Countries Bordering on the Rio Bravo, with Incidents of the War of Independence (New York: Charles Francis &amp; Co., 1842); Anthony Ganilh [pseud. A Texian], Mexico Versus Texas, a Descriptive Novel, Most of the Characters of which Consist of Living Persons (Philadelphia: N. Siegfried, 1838); Black Scapular of the Passion, Private Collection of Colton De Los Santos.&#13;
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              <description>Information about rights held in and over the resource</description>
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                  <text>Public Domain or these physical resources were made available by the Benson Collection at the University of Texas at Austin for the purposes of research, teaching, and private study.</text>
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