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Isaac Bashevis Singer</text>
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                  <text>Materials reproduced with permission of the Dolph Briscoe Center for American History, University of Texas at Austin. Items are made available for educational and research use. Further publication, reproduction, or commercial use may require additional permission from the repository and/or rights holders.</text>
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&#13;
Placed alongside Student Interracial Committee (SIC) materials advocating for the desegregation of student housing, this item illustrates the broader climate of hostility during this period of student activism on campus. It demonstrates the kinds of racist opposition activists like Embree and her peers encountered, showing what students were up against as they challenged segregation and inequality on campus in the 1960s.</text>
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                  <text>This collection brings together materials documenting how community groups across Austin responded to urban planning, zoning, and development in the mid- to late twentieth century. Drawing on records from the Austin History Center, the collection includes zoning and land-use maps, neighborhood association materials from the South River City Citizens (SRCC), publications produced by East Town Lake Citizens, and materials related to environmental advocacy efforts associated with figures such as Wayne Gronquist and Betty Brown. These sources show how planning decisions shaped neighborhoods through zoning classifications, redevelopment efforts, and environmental concerns, while also capturing how residents and advocacy groups interpreted and responded to those changes. Materials in this collection document community concerns over development, displacement, and environmental preservation, and show how residents organized through meetings, mapping, public outreach, and coalition-building to influence city planning processes. Together, these items illustrate how communities were not only defined by planning policies but were actively constructed and negotiated through collective action across different groups. </text>
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                <text>“Strength Through Unity,” a statement issued by the Austin Neighborhood Council (ANC), outlines the organization's purpose and structure as a coordinating body for neighborhood associations in Austin. The document emphasizes cooperation among neighborhoods, arguing that collective action enables residents to respond more effectively to issues related to zoning, development, and city planning. It describes the role of the ANC in sharing information, representing neighborhood concerns, and strengthening communication between local communities and city decision-makers.</text>
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                <text>This resource is made available for research through the Dolph Briscoe Center for American History at The University of Texas.</text>
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                <text>This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study.&#13;
&#13;
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                <text>Briscoe Center for American History</text>
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                <text>“What Are You Going to Do When They Run You Out? / ¿Qué Va Ud. a Hacer Cuando Lo Corran?” East Town Lake Citizens bilingual comic on urban renewal, 1979</text>
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                <text>Bilingual (English and Spanish) illustrated pamphlet produced by East Town Lake Citizens that critiques urban renewal and redevelopment in East Austin. The comic-style format walks through how city planning decisions impact residents, beginning with questions about rising rents, property taxes, and whether redevelopment reflects community needs. Later panels outline the processes behind these changes, including private development, federal funding, and the use of eminent domain. The pamphlet depicts the demolition of homes, the displacement of low-income residents, and the replacement of existing neighborhoods with commercial and high-income development, particularly in the Rainey Street area. Spanish-language sections mirror the English content, reinforcing accessibility and direct outreach to Spanish-speaking residents. In its concluding pages, the pamphlet turns toward collective action, urging residents to participate in meetings, sign petitions, and mobilize for community-driven change. More than a source of information, it serves as a rallying cry for resistance, capturing the ways East Austin residents asserted their agency and challenged the injustices of urban renewal.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>East Town Lake Citizens</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="7973">
                <text>Austin History Center, Austin Public Library, A309.262 EA</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>East Town Lake Citizens</text>
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                <text>1979</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Physical materials owned by the Austin History Center (AHC), Austin Public Library. Reproductions available for research, publication, and other uses. Written permission required from AHC prior to publication. AHC does not necessarily hold copyright to all materials; additional permissions may be required.</text>
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            <name>Format</name>
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                <text>Printed pamphlet; illustrated comic booklet; "Zine"</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English; Spanish</text>
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                <text>||||osm&#13;
Austin, Texas; East Austin; Rainey Street area</text>
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        <name>East Austin</name>
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        <name>East Town Lake Citizens</name>
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        <name>Urban Renewal</name>
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              <name>Title</name>
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                  <text>El Tejano Enamorado: Oscar Martinez and His Orchestra</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Oscar Martinez and his Orchestra | Tejano Musicians | Mexican American Cultural Identity and Influences | Joe Morris | Ofelia Morris | Ysidra Cano</text>
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              <description>An account of the resource</description>
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                  <text>The items included convey how the Oscar Martinez Orchestra exists as one of many undervalued, unrecognized cultural contributions from Mexican Americans in South Texas. Moreover, these resources highlight the deficiencies in the present-day understanding of Tejano influence in the state.&#13;
&#13;
Additionally, a subsection is dedicated to my great-grandfather Joe Morris, a former member of the Oscar Martinez Orchestra. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Oscar Martinez Papers, Various Boxes&#13;
Justice Morris </text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>LLILAS Benson Latin American Studies and Collections&#13;
Justice Morris</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1961-2013, 2022</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="7468">
                  <text>Items in this collection are made available for research by the LLILAS Benson Latin American Studies and Collections&#13;
Items in this collection are made available for research through the personal archive of Justice Morris</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <name>Contributor</name>
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                <elementText elementTextId="8304">
                  <text>Justice Morris&#13;
Steven Antonio Guajardo [watermarks]</text>
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            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Justice Morris (for the Joe Morris: Trumpet Player section)</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Music Contract</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>(Blank) Music Contract</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Oscar Martinez and His Band</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A blank music contract concerning the employment of the Oscar Martinez Orchestra</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Oscar Martinez Papers, Blank Music Contract, Undated, Box: 1 | Folder: 5</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>LLILAS Benson Latin American Studies and Collections</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7487">
                <text>This resource is made available for research through the LLILAS Benson Latin American Studies and Collections at The University of Texas at Austin</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Paper, Music Contract</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Justice Morris</text>
              </elementText>
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        </elementContainer>
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      <tag tagId="517">
        <name>Platforming</name>
      </tag>
      <tag tagId="515">
        <name>Promotion</name>
      </tag>
      <tag tagId="513">
        <name>Tejano Music</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
