9 10 676 https://hiddenhistoriesut.org/files/original/d086d32c64e8c82ed548c361c35cb97c.png 76a6d6aa900689b36b0a481f87e141bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zoning Inequality: Environmental Racism and PODER in Austin Subject The topic of the resource Environmental racism; Austin zoning laws; PODER; environmental justice; urban planning; racial inequality; East Austin; tank farms; public health; land use policy Description An account of the resource This collection documents the relationship between zoning policies and environmental racism in Austin, Texas, with a focus on the activism of PODER (People Organized in Defense of Earth and Her Resources). Creator An entity primarily responsible for making the resource Meyer, Katharine Austin History Center, Austin Public Library Source A related resource from which the described resource is derived Items sourced from PODER archives, City of Austin zoning records, and publicly available digital collections Contributor An entity responsible for making contributions to the resource Meyer, Katharine Austin History Center, Austin Public Library Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photo Physical Dimensions The actual physical size of the original image Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial photograph of the site of the former tank farm in 2021 Subject The topic of the resource Petroleum tank farms; Environmental racism; East Austin; Land use; Industrial zoning Creator An entity primarily responsible for making the resource Google Earth Description An account of the resource Aerial photograph of the former petroleum fuel storage tank farm site located at Airport Boulevard and Springdale Road in East Austin, Texas, showing the site after removal of the storage tanks. Source A related resource from which the described resource is derived Austin, Texas, 2021 aerial photograph of the tank farm site from Google Earth web. <https://storymaps.arcgis.com/stories/1936d244e1a343a5b116b9644134d767> Publisher An entity responsible for making the resource available Google Earth Date A point or period of time associated with an event in the lifecycle of the resource 2021 Contributor An entity responsible for making contributions to the resource Katharine Meyer Rights Information about rights held in and over the resource Non-commercial use permitted. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource n/a Type The nature or genre of the resource Still image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm East Austin, Texas; Airport Boulevard and Springdale Road; 2021 1928 plan benzene East Austin Environmental Justice Environmental racism Industrial zoning Public health tank farms Zoning https://hiddenhistoriesut.org/files/original/48fb3d191cfed68f1e4896a63b4e0495.jpg 9931217102b940ae7e0b9d8fc917c225 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carlos Castaneda: A Scholar, an Advocate, and a Friend Subject The topic of the resource Dr. Carlos Eduardo Castaneda Description An account of the resource This resource highlights the life and legacy of support for Latinx students and people that Carlos Eduardo Castaneda lived, and the gaps in society that were filled because of his efforts. Creator An entity primarily responsible for making the resource Sean Hart Date A point or period of time associated with an event in the lifecycle of the resource 1930s Language A language of the resource English Type The nature or genre of the resource Archival/Historical Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The University of Texas at Austin and surrounding educational institutions in Texas and Mexico Format The file format, physical medium, or dimensions of the resource images (jpg, png, pdf) Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Source A related resource from which the described resource is derived University of Texas at Austin Libraries: Assorted archives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial View of the University of Texas Campus Subject The topic of the resource Aerial View of the University of Texas Campus Description An account of the resource Aerial view of the University of Texas campus with the University of Texas clocktower in the center of the frame. Creator An entity primarily responsible for making the resource Neal Douglass Date A point or period of time associated with an event in the lifecycle of the resource May 19, 1940 Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant University of Texas, 1940 Format The file format, physical medium, or dimensions of the resource JPG Image Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Source A related resource from which the described resource is derived The Portal to Texas History Online Archival Collection, University of North Texas Relation A related resource Rescuing Texas History, 2006 Neal Douglass Photography Collection Contributor An entity responsible for making contributions to the resource University of Texas at Austin Identifier An unambiguous reference to the resource within a given context Douglass, Neal. Aerial View of the University of Texas Campus, photograph, May 19, 1940; University of North Texas Libraries, The Portal to Texas History; crediting Austin History Center, Austin Public Library. https://hiddenhistoriesut.org/files/original/8963c1dbbd90c3c18c8cd647229d8e3a.jpg 2acdcf5d6484c6a870c2c079deea997f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS/HIV in the American South: Rhetoric and Policy Subject The topic of the resource AIDS/HIV Language A language of the resource English Spanish Description An account of the resource This exhibit highlights the rhetoric and policy of HIV/AIDs in the American South to demonstrate how marginalized populations strived to support public health in a time of crisis. The primary materials we have selected highlight the rhetoric and policy creation of a negative socio-cultural landscape that HIV-positive individuals faced in the United States during the 1980s and 1990’s. With powerful statistic and personal accounts, these collections highlight how marginalized communities were able to band together in the fight against AIDS as well as demonstrate the importance of community in times of crisis. Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Contributor An entity responsible for making contributions to the resource Nicholas Arias Jess Seymour Amy Ruiz Megan Snopik Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African American Congregation Subject The topic of the resource Reproductive health Sexual Health Sexual Education HIV/AIDS Women's Health Civil Rights Description An account of the resource African American Congregation at holy angel catholic church on Chicago's south side. It is the city's largest black catholic church. The pastor is Father George h. Clements, a leader in the black community Creator An entity primarily responsible for making the resource John H. White Date A point or period of time associated with an event in the lifecycle of the resource 1973 Type The nature or genre of the resource Informative Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Civil Rights Format The file format, physical medium, or dimensions of the resource Image Publisher An entity responsible for making the resource available U.S . National Archives and Records Administration Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. https://hiddenhistoriesut.org/files/original/38485c751f97df332f7a4dc7cff937df.jpeg 0241b10aabf3f609f84e351f757fbc7f https://hiddenhistoriesut.org/files/original/6b4dd01a53a1f8b692bbb955aab00277.jpeg 56e62370faf48a6098d6ec15def50a83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Palabras Pagadas y Tinta Desde La Tierra: 21st Century Zines by Latin@ Artists from Texas Subject The topic of the resource An exploration into magazines (zines) created by two Tejan@, Latin@ artists, that explore queer, Latin@ culture, and feminist politics. Description An account of the resource Small printed pages to make books (zines) with various designs, art, poetry, and other written word. Creator An entity primarily responsible for making the resource Eleonora Natale Source A related resource from which the described resource is derived Muchacha Fanzine & Chifladazine Publisher An entity responsible for making the resource available Benson Latin American Collection at the University of Texas at Austin Contributor An entity responsible for making contributions to the resource Daisy Salinas (Muchacha Fanzine) & Cloud Cardona (Chifladazine) Format The file format, physical medium, or dimensions of the resource Physical Medium: Paper Zine & PDF File of Interview Transcriptions Language A language of the resource English & Spanish Date A point or period of time associated with an event in the lifecycle of the resource 2011-Present (Muchacha Fanzine) & 2013-2018 (Chifladazine) Rights Information about rights held in and over the resource These physical resources were made available by the Benson Collection at the University of Texas at Austin for the purposes of research, teaching, and private study. The interviewees have granted permission for the use of their interview transcriptions to be used for research and educational purposes. Relation A related resource <a href="https://www.muchachafanzine.com/" title="Daisy's Website">https://www.muchachafanzine.com/</a><br /><a href="https://cloudelfina.online/" title="Cloud's Website">https://cloudelfina.online/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afro-Latin@ Subject The topic of the resource A small magazine (zine), explaining topics of gender, culture, language, and colonialism. Creator An entity primarily responsible for making the resource Schawrz Rund Source A related resource from which the described resource is derived Benson Latin American Collection at the University of Texas at Austin Publisher An entity responsible for making the resource available Benson Latin American Collection at the University of Texas at Austin Format The file format, physical medium, or dimensions of the resource Physical Medium Language A language of the resource Spanish & English Type The nature or genre of the resource Magazine (Zine) https://hiddenhistoriesut.org/files/original/52fe7d652136c55dd9643935a36d80ea.jpg cb58fd37eea8992abb6bf1dfecdad346 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS/HIV in the American South: Rhetoric and Policy Subject The topic of the resource AIDS/HIV Language A language of the resource English Spanish Description An account of the resource This exhibit highlights the rhetoric and policy of HIV/AIDs in the American South to demonstrate how marginalized populations strived to support public health in a time of crisis. The primary materials we have selected highlight the rhetoric and policy creation of a negative socio-cultural landscape that HIV-positive individuals faced in the United States during the 1980s and 1990’s. With powerful statistic and personal accounts, these collections highlight how marginalized communities were able to band together in the fight against AIDS as well as demonstrate the importance of community in times of crisis. Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Contributor An entity responsible for making contributions to the resource Nicholas Arias Jess Seymour Amy Ruiz Megan Snopik Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Crisis Subject The topic of the resource AIDS (Disease) Description An account of the resource Marchers during the 21st annual Gay Pride Parade Date A point or period of time associated with an event in the lifecycle of the resource June 25, 1990 Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant AIDS HIV Gay rights Format The file format, physical medium, or dimensions of the resource Image Publisher An entity responsible for making the resource available MSNBC Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. https://hiddenhistoriesut.org/files/original/804c2ccb0bfe7f36047a1118b5920659.jpeg a544be9aff89079d4a1fe20282af9754 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS/HIV in the American South: Rhetoric and Policy Subject The topic of the resource AIDS/HIV Language A language of the resource English Spanish Description An account of the resource This exhibit highlights the rhetoric and policy of HIV/AIDs in the American South to demonstrate how marginalized populations strived to support public health in a time of crisis. The primary materials we have selected highlight the rhetoric and policy creation of a negative socio-cultural landscape that HIV-positive individuals faced in the United States during the 1980s and 1990’s. With powerful statistic and personal accounts, these collections highlight how marginalized communities were able to band together in the fight against AIDS as well as demonstrate the importance of community in times of crisis. Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Contributor An entity responsible for making contributions to the resource Nicholas Arias Jess Seymour Amy Ruiz Megan Snopik Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Protestors Subject The topic of the resource Reproductive health Sexual Health Sexual Education HIV/AIDS Women's Health Description An account of the resource Katrina Haslip (right) and Terry McGovern (center) protesting at Health and Human Services in Washington D.C. Creator An entity primarily responsible for making the resource Donna Binder Date A point or period of time associated with an event in the lifecycle of the resource 1990 Language A language of the resource English Type The nature or genre of the resource Informative Format The file format, physical medium, or dimensions of the resource Image Publisher An entity responsible for making the resource available NPR Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue https://hiddenhistoriesut.org/files/original/b9c4bda37ff12fffc60d3e200e2c55e3.jpg 3f31544963a6201be4448859a9f94800 https://hiddenhistoriesut.org/files/original/c165b5a4b92020130b749a4e5648374e.jpg 7afb151b9da98ffad6a2593d12ec7f6e https://hiddenhistoriesut.org/files/original/970f0b6f1548793fa57d2e1dca240c69.jpg 16c81813e1b7ccf86feec3fda64ef237 https://hiddenhistoriesut.org/files/original/936678c4cb5ea1b9aeaf370215b85eae.jpg 17650fb5681167ae546c9d3d23703b35 https://hiddenhistoriesut.org/files/original/a100c0898097351c63dddbf67dec9637.jpg 74231ba8419201768b44667acaf28f6a https://hiddenhistoriesut.org/files/original/7254949a2e32ecf051569c4ab1bd0faf.jpg 86af2f088ce7cb2939688a9f5048b5bd https://hiddenhistoriesut.org/files/original/b19ba0d98eca1698f42acb13961e7b19.jpg 3170447409288f74431900fa99de5cdb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All-Negro Comics Subject The topic of the resource Black comics Description An account of the resource "All-Negro Comics" is an all black comic book that showcases a range of black talent through adventurous storytelling. Created in 1947, the founder Orin C. Evans began cultivating this item in Philadelphia, Pennsylvania. This comic praises black writers and artists, countering the downfall of black literature after the effects of the Great Depression debilitated the literary movement of the Harlem Renaissance. From the beginning of comic creation, people of African descent have had limited representation. When they were illustrated, mediums portrayed them as the subject of controversy and surrounded them with motifs of violence. The integration of black characters in mainstream media and superhero comics has endured outstanding challenges; critics note that black men and women are repetitively stereotyped as barbaric or ghetto. It is this racist, demeaning notion that makes "All-Negro Comics" a profound work of literary art. After the downturn of the Harlem Renaissance in the 1930s, Evans recognized the necessity to produce a work that dissembled the negative connotations of black people within media. All-Negro Comics is filled with diverse representations of black culture. Through each persona and story, Evans speaks to a different mode of black individuality. His curation of "All-Negro Comics" pathed a way for afro-centric art to be celebrated while working to dethrone divisive ideologies that separated black and African people in Philadelphia. Creator An entity primarily responsible for making the resource Orin C. Evans Date A point or period of time associated with an event in the lifecycle of the resource June 1947 Language A language of the resource English Type The nature or genre of the resource Comic book Format The file format, physical medium, or dimensions of the resource Printed on paper. Publisher An entity responsible for making the resource available All-Negro Comics, Inc. Rights Information about rights held in and over the resource This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Source A related resource from which the described resource is derived Harry Ransom Center, University of Texas at Austin. Contributor An entity responsible for making contributions to the resource Orin C. Evans Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All-Negro Comics Subject The topic of the resource Black Comics Description An account of the resource "All-Negro Comics" is an all black comic book that showcases a range of black talent through adventurous storytelling. Created in 1947, the founder Orin C. Evans began cultivating this item in Philadelphia, Pennsylvania. This comic praises black writers and artists, countering the downfall of black literature after the effects of the Great Depression debilitated the literary movement of the Harlem Renaissance. From the beginning of comic creation, people of African descent have had limited representation. When they were illustrated, mediums portrayed them as the subject of controversy and surrounded them with motifs of violence. The integration of black characters in mainstream media and superhero comics has endured outstanding challenges; critics note that black men and women are repetitively stereotyped as barbaric or ghetto. It is this racist, demeaning notion that makes "All-Negro Comics" a profound work of literary art. After the downturn of the Harlem Renaissance in the 1930s, Evans recognized the necessity to produce a work that dissembled the negative connotations of black people within media. All-Negro Comics is filled with diverse representations of black culture. Through each persona and story, Evans speaks to a different mode of black individuality. His curation of "All-Negro Comics" pathed a way for afro-centric art to be celebrated while working to dethrone divisive ideologies that separated black and African people in Philadelphia. Creator An entity primarily responsible for making the resource Orin C. Evans Date A point or period of time associated with an event in the lifecycle of the resource June 1947 Language A language of the resource English Type The nature or genre of the resource Comic book Format The file format, physical medium, or dimensions of the resource Printed on paper. Publisher An entity responsible for making the resource available All-Negro Comics, Inc. Source A related resource from which the described resource is derived Evans, Orin C. One complete printed copy of the published first-edition comic book “All-Negro Comics” , Philadelphia, Pa. : All-Negro Comics, Inc. June 1947. FCB. Harry Ransom Center, University of Texas at Austin. Contributor An entity responsible for making contributions to the resource Orin C. Evans Rights Information about rights held in and over the resource This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. African American adventure African American art African American comics African American literature African American storytelling African art African literature Afrocentric art Black advocacy Black artist Black authors Black comics Black literature Black Power Black storytelling Comic Book Orrin Evans Storytelling https://hiddenhistoriesut.org/files/original/6169552e418512a705f95d97493c851c.jpg 3e8bb82ae478dc32a85fe47f3cf15dd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All-Negro Comics Subject The topic of the resource Black comics Description An account of the resource "All-Negro Comics" is an all black comic book that showcases a range of black talent through adventurous storytelling. Created in 1947, the founder Orin C. Evans began cultivating this item in Philadelphia, Pennsylvania. This comic praises black writers and artists, countering the downfall of black literature after the effects of the Great Depression debilitated the literary movement of the Harlem Renaissance. From the beginning of comic creation, people of African descent have had limited representation. When they were illustrated, mediums portrayed them as the subject of controversy and surrounded them with motifs of violence. The integration of black characters in mainstream media and superhero comics has endured outstanding challenges; critics note that black men and women are repetitively stereotyped as barbaric or ghetto. It is this racist, demeaning notion that makes "All-Negro Comics" a profound work of literary art. After the downturn of the Harlem Renaissance in the 1930s, Evans recognized the necessity to produce a work that dissembled the negative connotations of black people within media. All-Negro Comics is filled with diverse representations of black culture. Through each persona and story, Evans speaks to a different mode of black individuality. His curation of "All-Negro Comics" pathed a way for afro-centric art to be celebrated while working to dethrone divisive ideologies that separated black and African people in Philadelphia. Creator An entity primarily responsible for making the resource Orin C. Evans Date A point or period of time associated with an event in the lifecycle of the resource June 1947 Language A language of the resource English Type The nature or genre of the resource Comic book Format The file format, physical medium, or dimensions of the resource Printed on paper. Publisher An entity responsible for making the resource available All-Negro Comics, Inc. Rights Information about rights held in and over the resource This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Source A related resource from which the described resource is derived Harry Ransom Center, University of Texas at Austin. Contributor An entity responsible for making contributions to the resource Orin C. Evans Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All-Negro Comics: Hep Chicks on Parade Subject The topic of the resource Black Comics Description An account of the resource "All-Negro Comics" is an all black comic book that showcases a range of black talent through adventurous storytelling. Created in 1947, the founder Orrin C. Evans began cultivating this item in Philadelphia, Pennsylvania. This comic praises black writers and artists, countering the downfall of black literature after the effects of the Great Depression debilitated the literary movement of the Harlem Renaissance. From the beginning of comic creation, people of African descent have had limited representation. When they were illustrated, mediums portrayed them as the subject of controversy and surrounded them with motifs of violence. The integration of black characters in mainstream media and superhero comics has endured outstanding challenges; critics note that black men and women are repetitively stereotyped as barbaric or ghetto. It is this racist, demeaning notion that makes "All-Negro Comics" a profound work of literary art. After the downturn of the Harlem Renaissance in the 1930s, Evans recognized the necessity to produce a work that dissembled the negative connotations of black people within media. All-Negro Comics is filled with diverse representations of black culture. Through each persona and story, Evans speaks to a different mode of black individuality. His curation of "All-Negro Comics" pathed a way for afro-centric art to be celebrated while working to dethrone divisive ideologies that separated black and African people in Philadelphia. Creator An entity primarily responsible for making the resource Orrin C. Evans Date A point or period of time associated with an event in the lifecycle of the resource June 1947 Language A language of the resource English Type The nature or genre of the resource Comic book Format The file format, physical medium, or dimensions of the resource Printed on paper. Publisher An entity responsible for making the resource available All-Negro Comics, Inc. Source A related resource from which the described resource is derived Evans, Orin C. One complete printed copy of the published first-edition comic book “All-Negro Comics” , Philadelphia, Pa. : All-Negro Comics, Inc. June 1947. FCB. Harry Ransom Center, University of Texas at Austin. Contributor An entity responsible for making contributions to the resource Orrin C. Evans Rights Information about rights held in and over the resource This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Art Black Black advocacy Black authors Black comics Black Power Comic Book Fashion https://hiddenhistoriesut.org/files/original/dff2bced875e7db8f13cf7735ed9c395.png 7cf3a563a871075c08a05e7bb67fb10a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allan Shivers Creator An entity primarily responsible for making the resource Texas State Library and Archives Commission Date A point or period of time associated with an event in the lifecycle of the resource 1955 Language A language of the resource English Format The file format, physical medium, or dimensions of the resource Photograph Publisher An entity responsible for making the resource available Prints and Photographs Collection: Texas State Library and Archives Commission https://hiddenhistoriesut.org/files/original/0058cb170747689c4e07c2ff3bf33231.m4a db1bebdd90cae4977951ca50a5ba4452 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Practical Look at Afrocentricity Subject The topic of the resource Alli Aweusi Black Panther Party Civil Rights Movement Austin, TX Description An account of the resource Alli Aweusi was a former Black Panther member who settled in Austin, TX in the 1981. This tape is a recording of a panel discussion held on the Huston-Tillotson University campus about Afrocentricity. There are four panelists and a moderator. Alli Aweusi is the first to speak and questions established scientific facts published by the white intellectual community. Creator An entity primarily responsible for making the resource Alli Aweusi Publisher An entity responsible for making the resource available Dolph Briscoe Center for American History Date A point or period of time associated with an event in the lifecycle of the resource 1991-05-31 Contributor An entity responsible for making contributions to the resource Nelson Linder, Alli Aweusi, Marian Barnes, Marcus Brown, Akwasi Evans Language A language of the resource English Type The nature or genre of the resource Cassette Tape Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Tape Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 5:47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alli Aweusi - Against Science Subject The topic of the resource Postmodern Skepticism Evolution Ozone Depeltion Afrocentric Knowledge Description An account of the resource Part of Alli Aweusi's speaking time during the Practical Look at Afrocentricity panel hosted at Huston-Tilloston University on May 31, 1991. Creator An entity primarily responsible for making the resource Alli Aweusi Source A related resource from which the described resource is derived Aweusi, Alli. Collection of cassette tapes documenting Aweusi’s radio show and public appearances in Austin, 1969 – 1995. Alli Awesui Collection (1969 – 1995), 96-129/11 (06195820), “A Pratical Look at Afrocentricity Part 1”. Dolph Briscoe Center for American History, University of Texas at Austin. Date A point or period of time associated with an event in the lifecycle of the resource 1991-05-31 Contributor An entity responsible for making contributions to the resource Alli Aweusi Rights Information about rights held in and over the resource This electronic resource is made available by the University of Texas Libraries solely for the purposes of research, teaching and private study. This material is made available for education and research purposes only. The creator of this exhibit does not own the rights for these items; it cannot grant or deny permission to use this material. Copyright law protects unpublished as well as published materials. It is your responsibility to determine the rights status and secure whatever permission may be needed for the use of any item. Due to the nature of archival collections, rights information may be incomplete or out of date. We welcome updates or corrections. Upon request, we'll remove material from public view while we address a rights issue. Format The file format, physical medium, or dimensions of the resource .mp3 Type The nature or genre of the resource Audio clip Skepticism